从西风颂看英国积极浪漫主义的特征

　　Abstract
　　Therearemanydomainsresearchaboutromanticism。Whereas，theresearchaboutBritishpositiveromanticismislittle。Thepositiveromanticismhasitsremarkablecharacteristicsinthevariouscountries。TheEnglishpositiveromanticismpushedtheromanticismliteraturetothehightide。Shelley’sOdetotheWestWindisoneofthebestworksofpositiveromanticismofBritain。ThisthesismainlyanalyzesthebackgroundofOdetotheWestWind，andthefeaturesofpositiveromanticism。ThisthesisappreciatesOdetotheWestWindinvariouswaysbyanalyzingthesubjectivism，thepoliticallyricism，idealism。Thisthesisalsoillustratesthefeaturesofhumanbeingadmirationfornature。BoththestyleofthispoemandthewritingwaysofthepoemexpresstheBritishpositiveromanticismcharacteristicsvividly。
　　KeyWords
　　OdetotheWestWind；British；positiveromanticism
　　摘要
　　文学的研究有很多领域，对浪漫主义的研究也有很多，但是把积极浪漫主义独立起来研究却很少。积极浪漫主义的特征在各国国家都有其显著的鲜明的特征。在英国积极浪漫主义诗人用积极浪漫主义文学把浪漫主义文学推到了高潮。雪莱的《西风颂》是英国积极浪漫主义的优秀作品，该论文通过对《西风颂》创作背景及积极浪漫主义的定义分析；及对该诗歌特征的赏析，充分地展现了积极浪漫主义主观性、政治抒情性、理想性。该论文也表现了崇尚自然热爱自然等特点。又从诗歌的创作风格、写作方法等特征都把英国乃至整个欧洲的积极浪漫主义的特征表现的淋淋尽至。
　　关键词
　　西风颂；英国；积极浪漫主义；
　　Introduction
　　Theromanticismisoftenregardedasanimportantbranchofliterature。ItcompletelymanifestedthesocialcharacteristicofBritishatthatfixedperiod，andexpressedthesocietysrequestthroughliterature。Therefore，thecloserelationbetweenliteratureandsocietywasfullydisplayed。
　　TheromanticismdevelopedextremelyfastinBritish。Theessenceofromanticismreflectedpresentsituationandtheneedsofsociety。Moreover，positiveromanticisminBritainhasmanifestedthedifferentofpositiveromanticismcharacteristic。Therefore，thepositiveromanticismalsoreflectedthecultureofBritishin19thcentury。
　　Poetryisaneffectivewaytoexpresspositiveromanticism。Inordertobetterunderstandthepositiveromanticism，itisnecessarytorealizethesuperficialmeaningandthedeepmeaningthatthepoetryexpress。OdetotheWestWindasoneofthefamousworkoftheEnglishpositiveromanticismatthatfixedperiod，itmanifesttheEnglishpositiveromanticisminvariouskindsofways。ItcanbefoundthatOdetotheWestWindisconcludedwithtriumphantandhopefulmind。Thispoemhasadeepinfluenceonhisgenerationandalmostchangedthevalueofhispeople。
　　I。TheDefinitionofRomanticismandPositiveRomanticism
　　Attheearly19thcentury，panEuropeanmovementtookplaceinartandphilosophy。ThetermderivesfromtheRomancesoftheMiddleAges，anditreferstotheidealizationofreality。Inthelate18thcentury，itbegantomeanantiClassicalismanditalsorepresentedatrendtowardsthepicturesqueandtheGothic，nostalgia，mysteryanddramaticlove。e。g。Walpole，BeckfordandFuseli。Bytheearly19thcentury，ithadbeenbroadenedinmanyaspects，suchasenthusiasm，therediscoveryoftheartistasasupremelyinpidualcreator，thedevelopmentofnationalisticpride，andtheexaltationofthesensesandemotionsoverreasonandintellect。Inaddition，romanticismisaphilosophicalrevoltagainstrationalismandintellect。ThisbreadthofmeaninghasledtothedefinitionofRomanticismasafeelingandverylittleelse。
　　InBritain，thetermreferstohisliteraryandartisticmovementofthelate18thandearly19thcentury。RomanticismrejectedtheearlierphilosophyoftheEnlightenment，whichstressedthatlogicandreasonwerethebestresponsehumanhadinthefaceofcruelty，stupidity，superstition，andbarbarism。Instead，theromanticsassertedthatrelianceuponemotionandnaturalpassionsprovidedromanticmovementtypicallyassertstheuniquenatureoftheinpidual，theprivilegedstatusofimaginationandfancy，thevalueofspontaneityoverartificeandconvention，thehumanneedforemotionaloutlets，therejectionofcivilizedcorruption，andadesiretoreturntonaturalprimitivismandescapethespiritualdestructionofurbanlife。TheirwritingsareoftensetinruralorGothicsettingsandtheyshowanobsessiveconcernwithinnocentcharacterschildren，younglovers，andanimals。ThemajorromanticpoetsincludedWilliamBlake，WilliamWordsworth，JohnKeats，PercyByssheShelley，andLordGordonByron。
　　Artisticandintellectualmovementthatoriginatedinthelate18thcenturyandstressedstrongemotion，imagination，freedomfromclassicalcorrectnessinartforms，andrebellionagainstsocialconventions。Romanticism，attitudeorintellectualorientationthatcharacterizedmanyworksofliterature，painting，music，architecture，criticism，andhistoriographyinWesterncivilizationoveraperiodfromthelate18thtothemid19thcentury。Romanticismcanberegardasarejectionofthepreceptsoforder，calm，harmony，balance，idealization，andrationalitythattypifiedClassicismingeneralandlate18thcenturyNeoclassicisminparticular。Tosomeextent，itisalsoreactionagainsttheEnlightenmentandagainst18thcenturyrationalismandphysicalmaterialismingeneral。Romanticismemphasizestheinpidual，thesubjective，theirrational，theimaginative，thepersonal，thespontaneous，theemotional，thevisionary，andsoon。
　　Comparedwithpassiveromanticism，positiveromanticismstrengthensthewillofmen，andarousestherebellionagainstrealityandanyelse。Positiveromanticismisthatcelebratedthepowerofinpidualselftocreateaworldortoraiseitsparticularconditions。
　　II。TheBackgroundofRomanticismandPositiveRomanticism
　　Romanticismwasoneofthetrendsofliteraryandartisticthought，produceswiththe18thcentury，atthebeginningof19centuriesEuropebourgeoisrevolutiontime。
　　In18thcenturyFrancesEnlightenmentidealismadvocatedfreedomofthought，emancipationofmansinpidualcharacterandreturningtothenature，andrequestedbreakingroyalpower。In19thcenturyromanticismmovementswasstartedinEuropean。
　　Inthe19thcenturyEuropevariouscountrieslabormovementandtherevolutionarymovementsareblustery。TheworkingclassinEnglandstrivedfortheirownrightstosubsistence，thesamebourgeoisielaunchestheheroicstruggle，tookofaliteratureperformancereallifeimportantmethods，itwiththetimerevolutionmoodassociatedproductionrevolutionliterature，therevolutionaryliteratureandtheromanticismunionhasformedthepositiveromanticism。ByronandShelleyarerepresentativesforBritishpositiveromanticism。
　　III。TheBackgroundofShelleyandOdetotheWestWind
　　A。TheBackgroundofShelley
　　ShelleywenttoOxfordfullofplansandideasforchangingthesystemofsociety。Beingconvincedthatreligiousfaithswereharmfultoman’shappiness，heandhisfriendT。J。HoggHputforthasmallstudyinlogic，calledtheNecessityofAltheism，whichwasobjectedbytheOxfordauthorities，however，shellyandHoggdeclinedtodiscussthematter。Asaresulttheyweresentoff。Itwasadisasterforaboyat18，forhelostavaluableeducationatOxford。Hefelloutwithhisfatherandbecameawandarer。Thoughhewouldeventuallyinheritafortune，hehadnoreadymoney。Whenhewas19，heelopedwithHarrietWestbrook，agirlof16whomhescarcelyknew。FromThenon，shelly，alwaysfullofschemes，wentonaquixoticexpeditiontoredressthewrongsoftheIrish；fromLynmouthshortlyafterwardshedistributedaseditiouspamphletcalledtherightsofman，scatteringsomecopiesbyballoonandputtingothersintobottlesandthrowingthemintothesea。In1813heprintedandpublishedextraordinarypoem，QueenMabprivatelywhichexpressedhisbeliefinanewgoldenage。
　　Inhisglorificationofrevolutionaryideas，ShelleyhadsoughtoutWilliamGodwin，authorofpoliticaljustice，whohadmarriedMaryWollstonecraft，authorofTheRightsofWomen。HismarriagewithHarrietprovedacompletefailure；ShellyelopedwithGodwin’s15yearolddaughterMary。ButthatyearHarrietwasfounddrownedintheserpentineandhertwochildrenbyshellybecamethesubjectofalawsuit。ForShelley，hewasnotonlydeeplyshockedbythetragedybutalsosufferedthebitternessoflosinghischildren。However，thelifehadtogoon。Togetridofsolitude，hemarriedMaryGodwinlateratMarlow，ontheThames。There，in1816，hewroteAblator，ortheSpiritofSolitude，thefirstlongpoemtoshowhistruegenius。Nextyearhewrotealongimaginativepoemonlibertyandlove，theRevoltofIslam，whichcontainedmanyfinepassagesofdescriptionandnarrativeandwasinspiredbytheFrenchRevolution。
　　Atthattime，ShellyhadbecomeafriendofLeighHuntandPeacockandhadmetKeats。Finallyin1818，toescapeprejudiceandinsult，andalsoGodwin’sconstantdemandsformoney，ShelleydecidedtoseekpeaceinItaly。Thereshellygaveuphisdreamofreformingtheworldbythemeansofdirectpoliticalactionanddecidedtopassonhisinspirationtoothersthroughhispoetry。InthisbeliefhecomposedhisPrometheusUnbound，enjoyedforitsincomparablemusic，itscolorandstory，aswellasbecauseitcontainedShelly’snoblestideas。Tothisperiod，too，hewrotehisLinesintheEugeniaHillsandJulianandMaddalo，anautobiographicalpoembasedonahappyvisittoByroninVeniceH。MeanwhileShellywrotehisfinestlyric，suchastheCloud，theSkylark，theOdetotheWestWindandsoon。ThemusicandintensityshowedthatShellywasenteringonanewstageofpersonalandimaginativegreatness。
　　B。TheBackgroundofOdetotheWestWind
　　Thepoemwascomposedin1819whenEuropeanlabormovementandtherevolutionarymovementsurged。Tofightfortheirright，Britishworkingclassbegantostrugglewiththebourgeoisie。AtAugustofthatyear，80，000workersinManchesterheldamassivedemonstration。Ofcourse，thereactionaryauthoritieshaddispatchedtroopstosuppress。ThatwaswellknownastheBideileiMassacre。ForShelleywasinfavorofBritishrevolution，hewasexpelledfromtheUnitedKingdom。ThenhecametoItaly，hemetKeats，hadmadegreatinfluencetoShelleyalotonrevolutionarycause。Formtheabove；wecanseethatinBritaintherewasnofreedom。
　　OdetotheWestWindisthemostrepresentativeofShelley’sfeelingsandthoughtsatthattime。Itisamixtureofdeathandrebirth。ShelleyisconcernedwiththeregenerationofhimselfspirituallyandpoeticallyandofEuropepolitically。Inthefirstthreestanzas，thedynamicforceofthewestwindismanifestedinitspowerontheland，intheair，andintheseaindifferentseasons。Itisthedestroyerandpreserver。Itwilldestroytheoldworldandheraldinanewone。InthefourthstanzaShelleywishesthathewerealeaf，acloud，andawave，sothathecouldfeelthepowerofthewestwind；butheisawareofhisageandhissufferingsinlife，whichhavebenthimdown。Finally，heappealstothewind，thewindofaspirationandchange，toreinvigoratehimandtogiveforceandpersuasivenesstohispoetry。
　　IV。TheFeaturesofPositiveRomanticisminOdetotheWestWind
　　A。Enthusiasm
　　Theromanticismhastwobigbrancheswhicharethenegativeromanticismandthepositiveromanticism。Toacertainextentthepositiveromanticismhasitspositivecharacteristicasthenamesuggests。
　　Thepositiveromanticismmostlymanifestsinthepositiveromanticismpoetdarestofacethereality，critiquesocietysdarkness，isspearheadedatthefeudalaristocracy，opposedinthecapitalistsocietysurvivesthefeudalfactor，simultaneouslyallsortsofevilphenomenonwhichcreatestobourgeoisieitselfalsohastheexposition，thusthefillrevolt，thefightfervor，willsendideallyinthefuture，willyearnforthenewhappylife。Inthispoem，Shelleywantstocreateanewfreecountry。HetalksoftheMediterraneanandthesummerdream。Inthedream，thereaderfindsthesealyingBesideapumiceisleinbaize’sbayquiveringwithinthewaves’intenserday。Shelleyimplantstheideasofvolcanowiththewordpumice。TheoldpalacesandtowerstirvividimageofancientRomeandGreeceinreadersmind。Shelleyalsousestheseimagesinthesea’sdreamtoshowthatthenaturalworldandthehumansocialandpoliticalworldareparallel。
　　B。Subjectivism
　　Inthepoemthewestwindisnotmerelythewindofthenature，thesubjectwhichisthecountercapitalismcounteroldinfluence，insteadofregardingpoetryasaminortonaturethesourceofwhichisintheouterworld，romanticpoetsdescribepoetryasthespontaneousoverflowofpowerfulfellingwhichexpressthepoetsmind。
　　InOdetotheWestWind，PercyByssheShelleytriestogaintranscendence，forheshowshisthoughts，likethewingedseedstrapped。Thewestwindactsasadrivingforceforchangeandrejuvenationinthehumanandnaturalworld。Shelleyviewswinternotjustaslastphaseofvegetationbutasthelastphaseoflifeintheinpidual，theimagination，civilizationandreligion。Shelleylooksforwardtofreedom。Fromthiswingedseedsitpresentsimageofflyingandfreedom。Theimportantwordisseedsforitwhichshowsthatevenindeath，newlifewillgrowoutofgravethephrasewingedseedsalsobringsimagesofreligions，angelsorsoulswhichcancreatenewlifecontinuously。
　　Heavenlyimagesareconfirmedbyhisuseofthewordazurewhichisalsodefinedbesidesthemeaningofbluesky，InWebster’sdictionary，asanuncloudedvaultoftheheaven，thewordazureisconnectedwiththewordspring，andithelpsshowShelley’sviewofrejuvenation。Inaddition，thewordspringalsomeanstoriseupexceptbeingaliterarymetaphorforrebirth。Inlinenine，Shelleyusessoftsoundingphrasestocommunicatetheblowingofthewind，thistiercecutsasanintroductionandforeshadowofwhatistocomelater。Shelleygoesontotalkofthewindasadestroyerandpreserver。Thewindisalsoapersonthattocreatefreedom。Formthiswecanseethatwindisapowerwhichcandestroytheolddayandcreatenewlife。Therefore，OdetotheWestWindisasongofrevolutionatthattime。
　　C。IdealismandImagination
　　JustlikeGorkypointedouttheromanticismisonemood，itcomplexmoreoverthroughouthowmanyfuzzilyreflectedactuallyiscoveringtransitiontimesocietysallfeelingsandthemoodcolor，but，itsmainkeyistonewthinganticipation。Theromanticismreferstotheappearanceaccordingtothepeople，throughthelifephenomenonidealizationdescription，andthemdisplayscertainsocialpsychologyandtheemotioncreationmethod。Theromanticismidealdisplaysinthecharacterimagemoldaretheromanticismwhichisbasedonthebasisoftheidealizedprinciple，throughtheunrealplot，inaspecialenvironment，exertsoneselfinthedescriptionidealthecharacterimage。Thesecharactersoftenhavetheunusualsuperhumansmoralcharacter，abilityandthebehavior。Thepositivealsoinheritthisfeature。
　　InthispoemwecanseethatShelleywantstoestablishanewfreesociety。drivemydeadthoughtsovertheincantationofthisverse；likewither，dleavestoquickenanewbirth，andifwintercomes，canspringbefarbehind。ItisobviousthatShelleyislookingforwardtonewthoughtsandnewsociety。
　　Onbehalfofthepositiveofromantic，Shellycan’tseethefutureofsocialism，buthealsocantescapethecircleofidealsocialism。Itmakesanotherfeatureofpositiveofromanticidealism。Doesthepoetdescribewhattheywillcreateinthispoem？
　　D。PoliticalTendentiousness
　　Judgingfromthebackgroundofthepositiveromanticism，thepositiveromanticismmusthavecertaincharacteristicbelongedtothatera。Politicaltendentiousnessisthepositiveromanticismtothattimereflectionandtheportrayal。
　　FromOdetotheWestWindwecanfeeltheintenseofpoliticaltendentiousness，thewestwindisdestroyerandpreserver，thewestwindCleansthesewhichyellow，andblackandpale，andhecticredHeartless。Thewestwindthouonwhosestream，midthesteepshy，scommotion。Thewestwindisnotthenaturewind。Itistherevolutionwind，thewindagainstbourgeoisie，andagainstthepowerofFeudal。
　　E。EmotionandNature
　　Theromanticismpoetspoetrymostlyoriginatesfromthenature。Naturefortheromanticistscomestotheforefrontofthepoeticimagination。Natureisnotonlythemajorsourceofpoeticimagery，butprovidesthedominantsubjectmatter。Wordsworthconceivesofnatureasthenurse，theguideandguardianofmyheartandsoul。Naturetotheromanticistsisasourceofcleanlinessandspiritualunderstanding；itisateacher；itisthesteppingstonebetweenmanandgod，soromanticpoetsmostlytakedescribingthenaturetoeulogizethenatureasthesubject。Thepositiveromanticismpoethasnotdiscardedthischaracteristic。
　　AccordingtoShelleysaidtheideaofwritingthisfirstpoemisbasically。InFlorenceArnouxriverbankwoods，samedaythetemperatureisgenial，fresh，butthisstormisgatheringthemoisture，undertheinclinetheautumnrain。Fromthisthepoethasfeltthewildwesterlywind，andlifeofthefallbreath。Thenthepoetwrotewesterlywindonlybecauseofthisreal，andthemagnificentsight。
　　FromthepoemitiscanbeseenthatShelleywaseulogythewestwind，buthewasnotjustasingers，heRepresentstakingthewesterlywindasthetopic，takingthesubjectinthenature，andthisisfullofthefervorthepoeticcomposition，selectsasceneinthisisnaturallytheromanticismuniversalcharacteristicalsoisthepositiveromanticismcharacteristic，doesobeisance？Wordsworthsendsthepoetinabigwayforrepresentativeslakesidealwaysdescribesthenature。inthispoemShelleydescribedthechangeofthefall。ThepoetcreatesoriginatingfromtheItalianFlorencessuburb。Ispreciselybecausethepoetisgoodatobservingthenature，onlythenhadthisclassicalpoetry。
　　Theromanticismwritersalladvocatethenature。Isnaturallytheyexpressthefeelingsthenaturecarry。Theromanticismworkisoftenexpressedthefeelings，andauthor’semotionpouringoutswiftlywithreveals。Thepositiveromanticismismoreradical，thereforethesentimentexpressesintensely。ShelleyhasalsodisplayedthischaracteristicinOdetotheWestWind。Thispoemstartsfromtheeulogywesterlywind，infourthStanzaifIwereadeadlevelthoumightiestbear；ifIwereaswiftcloudtoflywiththeeThepoetcomparesoneselftoothersbythewesterlywind。Thepoetexpressedthepoetthedeeploveandyearnedforthenaturethroughthewesterlywind。Heusedthewesterlywindtourgeononeself，expressedthefreepursuit，withthehopetoestablishhappyworld。
　　F。SyncretismwithOtherArt
　　Formthispoem，itcanbefoundthatverystrangerhyme，becauseShelleyusethetetrzarima。Itisathreelineunitatercet。rhymingaba，thebrhymeiscarriedintonexttercet，bcb，eachstanzashasfourtercetsofinterlockingrhymeandendsinacoupletusingthemiddlerhymeofthelasttercet。Thustherhymeschemesareaba，cdc，dedandgoon。Itmakestherhymeverycheerful，anditalsoenablesthepoemandhastheverystrongrhythm，andhighlightthemusicality。ItisjustthesameasDantesDivineComedy。
　　Fromthispoem，italsocanbefoundthatthebeautyofmusicfromthewestwind，makethylyre，evenastheforestis。TheAeolianharpgivesmusicalsoundsasthewindblowsthroughit。HeretheforestiscomparedtotheAeolianharplyre，andthepoetpraysthathealsomaybetheAeolianharpsothathecouldfeelthepowerofthewestwind。Itmakesthesoundofwestwindmorevividandmakesthepoemmoremusical。
　　G。TheWritingStyle
　　Thewritingstyleofthepoemefficientlyreflectsthefeaturesofpositiveromanticism。
　　a。TheFreeWritingStyle
　　Therearedifferencesbetweenwritingtechniquesofromanticismandliteraturebeforeit。Instyle，theromanticpoetsareprefertoboldnessovertheprecedingage’sdesireforrestraint，maximumsuggestivenessovertheneoclassicalidealofclarity，freeexperimentationovertherulesofcomposition，genre，anddecorum，andtheypromotedtheconceptionoftheartistasinspiredcreatoroverthatclassicismliteraturewhichstickstooldwaysequally，constrainstheinpiduality，anditisn’tliketherealismliteraturesamelanguagetoencouragesharply，butispursuestheinpidualityliberationcreationabsolutelyfree，thepoetryaspectisnottrackingdowntraditionaltheform。Displaysintheromanticismliteraturecreationmanyandvariedcreationstyle。
　　First，romanticismisgoodatusingthetechniqueofexaggeratingsymbol。Italsolikesutilizingthemagnificentliteraryflourishes，intheworkfillsthevividrichanalogy，causesbeautifulandugly，friendlyandformsthesharpcontrastandthestrikingcomparisonwickedly。Thepositiveromanticismhascompletelyinheritedthesecharacteristicsofromanticism，andthelanguageevenmoreencourages。
　　In19th，manypoetslikewritingpoem。Poemisthebestchoiceformanypositiveromanticpoets。Forexample，themostfamousworkofByronisDonJuan，themostfamouspoemofKeatsisOdetoaNightingale。Becausepoemcanexpresstheirfeelingsanditisonekindofartlanguage，thepoemisonekindofartwhichistothesoulandtotheexploration。Thepoemcanexpresstheinnersoul。Itcanmakethedistancebetweenthehumanandthepoetrycloser。Italsocanformthesympatheticchord，andreachtheeffectofbeautifulenjoyment。Thepoemisonekindofcreativity。Itdoesnotstopusingthelanguagetocreateinnerworld。Astheenergeticmovement，itisthewaytoliberateinnerfeelings，soitindicatesanotherworld。Thepoemissupposedtoberevolutionaryandtimeliness。Sometimesitismindrecord，whichisbasedonthebackgroundoftime。Thepoemisintheformofrhythmic，sotheartisticeffectisveryobvious。Alloftheseareexpressedbythepositivepoets。
　　b。TheFeatureofthePoem’sWords
　　Romanticismisdifferentfromtherealismandotherliterature，thewordsofromanticliteratureareveryflowery，whichistheasthepositiveromanticism。Fromthispoemwealsocangetthefeature。Inthispoemthefeatureofthelanguagegorgeousmainlydisplaysinthestrongsentimentalcolorandthebrightdemeanor。Forexample，whenthepoetwritestheleaves，heusestheYellow，black，pale，hecticred，andwhenhewritesthewindtherearemanyplacesusingthewordhear，whichexpressthatmanytimethepoetwantstomakethehearingandthevisionunifytomakethewordmorevivid。
　　Thewordsofthispoem’expressintenseSummons，forexample，Pestilencestrickenmultitudes，withlivinghuesandodorsplainandhill，ofthehorizontothezenithsheight，likewrither’sleavestoquickenanewbirth。IfWintercomes，canspringbefarbehind？
　　H。RhetoricDevice
　　a。Hyperbole
　　Inthispoem，Shelleyusedmanyhyperboles。Hyperboleinotherwordsisexaggeration。Itputsapictureintothereadersmind。Hyperboleisfrequentlyusedinhumorouswritings。Hyperboleiscommoninhumorouspoetry，becauseitcanmakeapointinalightheartedway。Itcanbeusedtopokefunatsomeoneorsomething。Inthispoemthehyperboleisusedclearly；poet’sthoughtschangeveryfast。Sometimesitmaybeinthesky，butsometimesitisintheMediterranean。
　　b。TheSymbolDevice
　　Intheromanticpoetsviewthesymbolisaestheticcorrelativesofnature’semblematiclanguage。Therearegreatvaluesbecausetheycouldsimultaneouslysuggestmanytings，andtheyareregardasbeingsuperiortotheonetoonecommunicationsofallegory。Partly，itmayhavebeenthedesiretoexpresstheinexpressibletheinfinitethroughtheavailableresourcesoflanguagethatledtosymbolatonelevelandmyth（assymbolicnarrative）atanother。OdetotheWestWindusedthesymboldevice，theentirefirstpoemsurroundstheautumnwesterlywindtowriteanessayfromthebeginningtoend，regardlessofisdescribesthesceneryorexpressesfeelings，allhasnotbeenseparatedfromthisspecificdescriptionobject，hasnotusedpoliticalterminologyandrevolutionizestheslogan。Howeverreadafterthisshortpoem，wedeepdeeplyfeelactually，Shelleyinsingsthewesterlywind，isincompletelysingsthewesterlywind，inthepoetessenceisthroughsingsthewesterlywindtosingtorevolutionize。Inpoemwesterlywind，remnantleaf，seed，classcloud，rainstormthunderandlightning，seamightywaves，seabedcoloredtreeandsoon，allisthesymbolicthings，theyarecontainingtheprofoundimplication，themovingscenerywhichthenaturewindandcloudsurges，istheworldvigorousdevelopmentrevolutionarystrugglesymbolicreflection。
　　Conclusion
　　Theromanticismhastwoaspects。Therearepositiveromanticismandthenegativeromanticism。Literaturehasregionalcharacteristic，sopositiveromanticisminBritishhastheirowncharacteristic。Theromanticismassertedthatrelianceuponemotionandloveandpassionsfornatureprovidedavalidandpowerfulmeansofknowingandareliableguidancetoethicsandliving。
　　TheOdetotheWestWindtooktheworldliterature，andithasmanifestedmanycharacteristicsofpositiveromanticism，butitdidn’tcompletelymanifestthepositiveromanticismcharacteristic。Subjectivism，idealism，deeplylovesfornatureallembodimentthecharacteristicsofpositiveromanticism。
　　Shelleyisoneoftherepressiveofpositiveromanticism。Tosomeextent，ShelleyisfamousforOdetotheWestwind。Thispoemisfilledwithtriumphantandhopefulemotion。
　　Thisthesistargetsatanalyzingthefeaturesofpositiveromanticism。Therealsoexistsomefaultsinthisthesis。TheauthorhopesotherEnglishlearnersmakemoreresearch。
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